Story 25 of 49 · German

Parzival at Munsalvaesche

A young knight is shown a suffering king and the Grail itself, and asks nothing — because he was taught it was rude.

Parzival, wandering, comes to a lake and a fisherman who directs him to a castle nearby. Inside he is received with enormous ceremony and a certain undertone of desperation, and brought into a hall where a man lies who cannot sit or stand comfortably — Anfortas, the gentle monarch, who was courteous as he was bold, whose wound has made warmth unbearable and cold unbearable too.

Then comes the procession: a bleeding lance carried through the hall, at which the whole company cries out; then maidens with candles and ivory tables and a cloth of silk; and last, the Gral itself, borne by a queen, from which every man present is served whatever food and drink he desires.

Parzival watches all of it. He is being watched in return by everyone in the room, waiting.

He says nothing. His teacher Gurnemanz told him that a knight does not ask many questions, and he is determined to do this properly.

In the morning the castle is empty. A squire shouts abuse at him from a gate as he rides out, and the drawbridge is snatched up behind his horse's heels.

It takes him years to learn what he did. The question — what ails thee, uncle? — would have healed Anfortas and released the Grail household on the spot. Because he did not ask, a wounded man went on being unable to die for years, and Parzival lost his good name, his self-respect, and eventually his faith, and spent a long stretch of the poem in open resentment against God.

Wolfram's argument, and it is unlike anyone else's in this tradition, is that the qualification for the Grail is neither purity nor lineage nor prowess. It is noticing that somebody is in pain and saying so.

What it costs

Years of another man's pain, and the questioner's own faith. Wolfram is the only author who makes the cost of the Grail failure land on the person who failed rather than on a kingdom.

In the sources

  1. WolframGerman · c. 1170–1220

    a wound, a stone, and a question of pity

    The Grail is a stone and the cure is compassion. The failure is not sin; it is a young man being careful about etiquette while a man in front of him is suffering.

    “Anfortas, the gentle monarch, who was courteous as he was bold”
    Parzival, Parzival (Anfortas) · read in place
  2. The MabinogionWelsh · collected 12th–14th c., from older matter

    the same scene, stripped bare

    Peredur sees a bleeding spear and a severed head and stays silent for the same reason, in a story with no theology in it at all.

    “two youths enter the hall, and proceed up to the chamber, bearing a spear of mighty size, with three streams of blood flowing from the point to the ground. And when all the company saw this, they began wailing and lamenting”
    The Mabinogion — the Arthurian tales, Peredur · read in place
  3. The Grail RomancesFrench romance · c. 1200–1230

    purity instead of pity

    The Queste's Grail cannot be reached by anyone unconfessed, and its hero needs no lesson because he was never at fault.

    “no one ought to enter upon such a lofty service before being cleansed and purged of all villainy and mortal sins. This Quest is not a quest for earthly things, but is to be the search for the deep secrets and confidences of Our Lord”
    The Quest of the Holy Grail, Quest of the Holy Grail
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