The crosswalk

Seven motifs, twelve hands

Hand this grid any motif and it will tell you what each voice made it carry. It is the chart the whole portal is built on, and its most useful feature is the holes.

37 of 84 cells filled, 25 of them carrying a validated quotation.

Seven throughlines by twelve voices. Each filled cell is one voice's version of one motif.
ThroughlineThe ChroniclersGeoffreyThe MabinogionChrétienWolframGottfriedThe VulgateThe Grail RomancesThe Gawain RomancesThe MortesMaloryTennyson
1 Source of rule no version no version no version no version no version no version
2 The fellowship no version no version no version no version no version no version
3 The Grail no version no version no version no version no version no version
4 The betrayal no version no version no version no version no version no version
5 The wound no version no version no version no version no version no version no version
6 The return no version no version no version no version no version no version no version no version
7 Foreknowledge no version no version no version no version no version no version no version no version
a version, with a validated quotation a version, but the text cannot be quoted here this voice's surviving work does not reach this motif

Choose a cell to read that voice’s version of that motif.

How to read it

Two different kinds of nothing

Most of this grid is empty, and that matters. An empty cell can mean two quite different things, and running them together would misrepresent both the authors and the evidence.

Sometimes a voice simply never touches a motif. Gottfried has nothing to say about the Grail; he was writing a different book. That is not a defect in the record — it is a fact about what he wrote, and it is worth seeing that only one author, Malory, reaches all seven.

Sometimes a voice has a great deal to say and the evidence cannot be published here. Chrétien invented the Grail, and the poem in which he did it has no clean public-domain English translation; the Vulgate is the hinge of the whole French tradition and its only modern translation is in copyright. Those cells are marked as versions without quotations, because the honest statement is we know what he says and cannot show you, not silence.

The full account of what is missing →